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| 元朝的崇佛及其相關的樂舞內容=The Worship of Buddhism in Yuan Dynasty and the Corresponding Content of Music and Dance | ||
| 著者 | 王福利 =Wang, Fu-li |
|---|---|
| 掲載誌 | 徐州師範大學學報(哲學社會科學版)=Journal of Xuzhou Normal University (Philosophy and Social Sciences Edition) |
| 巻号 | v.28 n.3 |
| 出版年月日 | 2002.09 |
| ページ | 70 - 77 |
| 出版者 | 徐州師範大學 |
| 出版地 | 徐州, 中國 [Xuzhou, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| ノート | 出處:中國期刊網－文史哲輯專欄目錄 |
| キーワード | 元朝=Yuan Dynasty; 樂隊=band; 崇佛=worship of buddhism; 十六天魔舞=tianmo dance performed by 16 dancers |
| 抄録 | 元廷在成吉思汗發動對金戰爭時，即接觸到了中原的一些高僧，遂將佛教視為有利於鞏固其自身統治的有力工具而加以倡導與保護。以後諸帝，或出於師法先汗，或出於對佛教義理的尊崇，抑或兩者並舉，致使元朝崇佛之風日隆。與之相對應的是，一別漢王朝傳統，元廷樂舞中裝扮聖僧形象、宣傳佛經義理的內容佔有相當重要的地位。 When he launched a war against Jin Dynasty, the emperor of Yuan Dynasty met some well known Buddhist monks in the Central Plains and therefore he initiated and protected Buddhism, regarding it as a powerful tool to consolidate its rule. Later, emperors made the worship of Buddhism more prosperous, following the example of former emperors or respecting the Buddhist scripture. From then on it was quite different from the Han Dynasty. The disguised images of holy monks and the propaganda of Buddhist scripture played an important role in the music and dance in Yuan Dynasty. |
| ISSN | 10076425 (P) |
| ヒット数 | 286 |
| 作成日 | 2005.01.21 |
| 更新日期 | 2020.04.17 |
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