 |
|
| 佛經鬥法故事與古代小說創作=On the Magic-arts fighting of Buddhist Scripture and Creation of Chinese Classical Novels | ||
| 著者 | 趙章超 (著)=Zhao, Zhang-chao (au.) |
|---|---|
| 掲載誌 | 樂山師範學院學報=Journal of Leshan Teachers College |
| 巻号 | v.17 n.6 |
| 出版年月日 | 2002.12 |
| ページ | 24 - 27 |
| 出版者 | 樂山師範學院 |
| 出版サイト | http://210.41.160.4:89/ |
| 出版地 | 四川, 中國 [Sichuan, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| ノート | 作者單位：樂山師範學院中文系 |
| キーワード | 鬥法=Magic-arts fighting; 文化根源=Cultural root; 情本位=Feeling standard |
| 抄録 | 鬥法是佛經的重要內容，其體現在釋迦與魔波旬之間、不同教派之間乃至菩薩之間的爭競。這一結構遂為中國本土之小說所採用，卻演變為儒釋道相互的較比高低。其文化根源則在於現實生活中三教之間的那種水火不容、你死我活的尖銳矛盾。但在宋暨其後，該類作品主題被表現作家主觀情感的創作動機所置換，這一本質轉變，首先是三教合流思潮在宋元明清的定型致使此類小說尋求新的創作依託，而情本位觀念的彌漫則為這一轉變奠定了實質的內核。 The Magic-arts fighting is an important content in Buddhist Scripture. It includes the struggles for powers between Sakyamuni and the Prince of the Devils Boxun, between different religion sects, and between Buddha's. The structure of the struggles is adopted by Chinese classical novels with its content changed into fighting in the Confucianism, the Buddhism and the Taoism. The reason is that there are incisive contradictions in the three religions. But the subjects of these novels is replaced by feeling standard after Song Dynasty. The first reason of the change is that three religions mix together in Song, Yuan, Ming, Qing Dynasties. The second is that writers accept the feeling standard. |
| ISSN | 10098666; 10086595 (P) |
| ヒット数 | 620 |
| 作成日 | 2004.12.03 |
| 更新日期 | 2020.05.26 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
