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| 中國化的觀音性別以女為主的原因初探=An Analysis of the Reason for Chinese Kwanyin Being Mainly a Woman | ||
| 著者 | 張小東 (著)=Zhang, Xiao-dong (au.) ; 何友暉 (著)=He, You-hui (au.) |
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| 掲載誌 | 廣西師範學院學報 (哲學社會科學版)=Journal of Guangxi Teachers Education University (Philosophy and Social Sciences Edition) |
| 巻号 | v.25 n.2 |
| 出版年月日 | 2004.04 |
| ページ | 116 - 120 |
| 出版者 | 廣西師範學院 |
| 出版サイト | http://www.gxtc.edu.cn/ |
| 出版地 | 南寧, 中國 [Nanning, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| ノート | 1.作者單位：中山大學心理學系；作者單位：香港大學心理學系 2.出處：中國期刊網－文史哲輯專欄目錄 |
| キーワード | 積極無條件關注=unconditioned positive regard; 馬斯洛需要層次論=Maslow's hierarchy of needs theory |
| 抄録 | 觀音本是印度佛教中的一位男性菩薩，但在佛教的中國化過程中，變為了一位女性菩薩，並在中國普通民眾中享有極高的地位，這一方面緣於觀音菩薩隨類度化的，觀音積極無條件關注暗合了人類長期進化過程中的女性情結，另一方面中國民眾的苦難和中國本土文化對男女社會角色的限定使得民眾需要把男性的觀音改造為女性菩薩。而印度宗教人物畫像的傳入和中印繪畫的不同使得中國民間藝術家或各按自己的意念或對印度的畫像進行中式改造。 Kwanyin was originally a male Bodhisattva of Hindustan Buddhism, but during the process of localization in China, he became a female Bodhisattva, and had a very important position among common people. There were three reasons for that. Firstly, the unconditioned positive regard accords with the female complex in the evolution of humanity. Secondly, the tribulation of Chinese people and the restricted roles of men and women in Chinese culture made people transfer male Kwanyin into a female. Chinese paintings are different from Hindustan. Chinese folk artists either modified paintings of the religion characters introduced from Hindustan Buddhism or created their own images of Kwanyin, which led to the female formulary at last. |
| ISSN | 10025227 (P) |
| ヒット数 | 213 |
| 作成日 | 2004.12.03 |
| 更新日期 | 2020.05.26 |
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