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| 「維摩詰經」與王維的佛教美學思想=The Vimalakirti Nirdesa Sutra and Wang Wei's Buddhist Aesthetic Ideology | ||
| 著者 | 譚朝炎 (著)=Tan, Chao-yan (au.) |
|---|---|
| 掲載誌 | 西南師範大學學報(哲學社會科學版)=Journal of Southwest China Normal University(Philosophy |
| 巻号 | v.29 n.6 (總號=n.132) |
| 出版年月日 | 2003.05.10 |
| ページ | 148 - 152 |
| 出版者 | 西南師範大學 |
| 出版地 | 重慶, 中國 [Chongqing, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| キーワード | 王摩詰=Wnag Mojie; 王維; 維摩詰經=the Vimalakirti Nirdesa Sutra; 佛教美學=Buddhist aesthetics; 唐代佛教=Tang Buddhism |
| 抄録 | 王維深得「維摩詰經」要旨，以維摩詰為楷模，其詩深廣地滲入「維摩詰經」的美學思想。王維詩境不智求，不象取，以禪心統囊世界。心性平等若虛空，筆墨蹊徑，無復可尋。詩人悟得淨智、淨心、淨土，萬事萬形，皆由心出，詩境便成為好淨悉現之淨土。語言既是造道之致，不復縛在文字，詩便進入無盲真境。道悟詩悟，合而為一。 In his life Wang Wei models himself on Vimalakirti Nirdesa and in his poetry the aesthetic thoughts of The Vimalakirti Nirdesa Sutra permeate. A manifestation of this is that Wang Wei achieves his poetic effects neither by willful intellects nor definite images, on the contrary, the lively wisdom of Zen governs all his poetic world. Since the poet has reached his nature in the state of empty wholeness, we cannot follow the procedure of the creation of his poems. Wang Wei's poetry is a spreading of the Pure Land in which, with the barriers of language transcended, the revelation of the Buddhist truth and the inspiration of poetry becomes one. |
| ISSN | 10002677 (P) |
| ヒット数 | 763 |
| 作成日 | 2004.06.18 |
| 更新日期 | 2024.10.08 |
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