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| Universalismus in der Zeitgenossischen Musik am Beispiel der Wirkungsgeschichte von John Cage und Olivier Messiaen | ||
| 著者 | Hamel, Peter Michael |
|---|---|
| 掲載誌 | Musica Germany |
| 巻号 | v.48 n.1 |
| 出版年月日 | 1994.01-02 |
| ページ | 4 - 9 |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 德文=German |
| ノート | 290; Other titles：Universality in contemporary music, exemplified by the careers of John Cage and Olivier Messiaen |
| キーワード | Cage, John;Messiaen, Olivier;Religious Music;Aesthetics;Universality; Religion;Zen;Aleatory music;Hamel, Peter Michael; |
| 抄録 | An increasingly universal awareness in composition was shared by Cage and Messiaen，the two great composers who died in 1992. Both raised material found in nature to the level of a basis for composition. Messiaen was inspired to write Oiseaux exotiques by birdsongs, while the unintentionality found in Zen Buddhism led Cage to the basic tenet of letting-things-happen，as in his Music of changes：sounds, freed from memory and their customary associations, once again become capable of being heard. Both stand for a non-Eurocentric，critical universality. |
| ヒット数 | 307 |
| 作成日 | 2001.05.21 |
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