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中國佛教雕刻與希臘神話雕刻表現手法比較=The Chinese Buddhism Carving and the Greek Mythology Carving Compare to Means of Expression |
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| Author |
張靜 (著)=Zhang, Jing (au.)
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閻杰 (著)=Yan, Jie (au.)
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| Source |
西北大學學報 (哲學社會科學版)=Journal of Northwest University (Philosophy and Social Sciences Edition)
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| Volume | v.39 n.6 |
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| Date | 2009.11 |
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| Pages | 213 - 216 |
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| Publisher | 西北大學學報編輯部 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西安理工大學 |
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| Keyword | 中國佛教=Chinese Buddhism; 希臘神話=Greek mythology; 雕刻比較=Carve comparison |
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| Abstract | 在中外雕刻藝術史上，雕塑作為一種藝術創造活動，與神像有著十分密切的關係，並以其獨特的藝術形式展現、豐富著人類的歷史和文明。希臘神話雕刻勻稱的比例，合理的造型，是數千年來西方造型藝術中不朽的典範。而中國的佛教雕刻從魏、晉、隋、唐到宋元時期，以寫意的手法展現著另一種雕刻風貌。
In Chinese and foreign carving art history, the sculpture takes a kind of artistic creation, it has close relationship with a god or buddha, and by its unique artistic form development, it enriches humanity history and civilization. The Greek mythology carving, with symmetrical proportion and the reasonable structure, has been considered the model of sculpture for several thousand year in West the. But China’s Buddhism sculpture from the Wei, the Jin, the Sui, the Tang dynasties and the Song, the Yuan time are actually other kind of style using the technique of frechand. |
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| Table of contents | 一、引言 213
二、表現手法比較 213
(一) 重著衣與重人體 213
(二) 重寫意與重寫實 214
(三) 重線條與重體積 215
(四) 重裝飾與重現實 215
(五) 重整體與重個體 216
三、結語 216
參考文獻 216
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| ISSN | 10002731 (P); 10002731 (E) |
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| DOI | 10.16152/j .cnki .xdxbsk.2009.06.019 |
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| Categories | 雕塑造像 |
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| Hits | 294 |
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| Created date | 2017.03.23 |
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| Modified date | 2019.10.03 |
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